Final Reflection. Week 12

Reflection: Looking through a lens (Image: @bodzofficial Instagram)

A hundred years after Dewey published his book Democracy and Education (1916) championing education as a communal process, I wonder how the process of being a scholar of education in the digital age compares now to how it did then. The key principle of reflection in Dewey’s theory is still relevant today. Dewey claims that ‘[e]ducation, in its broadest sense, is the … social continuity of life.’ (p 4), since we live so much of our lives online it makes sense that educational communities have evolved and that we study them there.

The pressure on academics to publish using different mediums shows that scholars are required to do much more than thinking and writing alone. They are tasked with ‘new ways of working and new ways of imagining [themselves]’ (Fitzpatrick, 2011, p 3). This was certainly true in the use of a lifestream blog as a scholarly record. The constant pressure to be creative by publishing in a range of mediums and working quickly to meet tight deadlines is what it means to be a scholar in a digital world.

In Cybercultures we discussed how discourse contributed to instrumentalism (Bayne 2014) in relation to digital education. The discourse around ‘enhancement’ evolved into how our bodies are being changed by technology this was echoed in my visit to a Learning Technologies Conference on Health Education. We looked at how we are no longer limited to text when trying to portray scholarly thought (Sterne 2006) and I was able to do this by creating digital artefacts. It was interesting to see how other participants were able to construct meaning in ways I did not anticipate.

Community Cultures allowed us to see how educational communities are constantly evolving. The Massive Open Online Courses in which we participated supported our roles as researchers and students. Here we could see how digital education is changing and how cMOOCs have morphed into more individualistic xMOOCs over the last few years and have evolved to be smaller, less focused on community and more geared towards promoting participating universities and encouraging employability.

In Algorithmic Culture we reviewed how algorithms relate to pedagogical issues like sequencing, pacing and goal setting and evaluation of learning (Fournier 2014) and how these algorithms help our machines ‘remember’ us thereby determining the content we access. The discourse around Learning Management Systems (LMS) and their effectiveness to capture data (Siemens 2014) about students and their learning was reminiscent of discourse mentioned in Cyberculture.  The way in which institutions track and monitor students by using data echoed the issues around discrimination and invisibility I looked at earlier in the course.

I was daunted and anxious about my lifestream at the beginning of the course; having to do so much, so publicly was overwhelming. Seeing what other people did also inspired me. Having a reflective piece of work to map my learning is helpful as I can see how my development in my lifestream progressed. I feel it highlights not only my reflection (Dewey 1916), but my creativity and my technical skill. It has given me a new way of imagining myself as a student (Fitzpatrick 2011).


References

Bayne, S. (2014). What’s the matter with ‘Technology Enhanced Learning’? Learning, Media and Technology 40(1): pp. 5-20.

Dewey, J. (1916). Democracy and Education: An Introduction to the Philosophy of Education. Retrieved: 4 April 2017. https://s3.amazonaws.com/arena-attachments/190319/2a5836b93124f200790476e08ecc4232.pdf

Fitzpatrick, K. (2011). The Digital Future of Authorship: Rethinking Originality. Culture Machine 12: pp. 1-26.

Fournier, H., Kop, R. and Durand, G. (2014). Challenges to Research in MOOCs. Journal of Online Learning and Teaching, 10(1), pp. 1–15.

Siemens, G. (2013). Learning Analytics: the emergence of a discipline. American Behavioral Scientist, 57(10): pp. 1380-1400.

Sterne, J. (2006). The historiography of cyberculture. In Critical cyberculture studies. (New York University Press.) pp. 17-28.

Comment on Linzi McLagan’s Visual Artefact #mscedc by cpsaros

Linzi, thanks for this beautiful and perplexing image. The colours are wonderful and very tranquil.

When I first saw it, it made me think of life in utero, perhaps this was because of the fetal position of the body and the heart-rate reading over-lay. Are you trying to portray us as the creators of technology or technology as our protector and nurturer? Thanks for this thought-provoking artefact.

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Prevent (and) discrimination. Week 3

Students protesting Prevent Duty Photo: @BeMedia

I’ve been grappling with how Donna Haraway’s utopian metaphor of the cyborg relates to our relationship with technology and contemporary politics, as well as how it fits in with digital education.

If we are to live as cyborgs as Haraway’s metaphor suggests, we cannot divorce our own nature and history from that of our future selves. This seems implausible, unachievable and very much like an allegorical fairy tale from bygone times. But much like those fairy tales about power and loss, we see the dominations of ‘race’, ‘gender’, ‘sexuality’ and ‘class’, by those in positions of power, evident throughout our technological world.

There are countless examples of oppression in relation to technology. There are examples of the disparities; of how wealthy (white) companies still exploit poor (black) countries and their people for their resources without supporting the connectivity needs of those countries. Since The Cyborg Manifesto was published we have seen the gender gap in careers in technology widen. The digital divide is persistent in developed countries with regards to location and income and ethnic background; while undeveloped countries struggle to find alternative ways to access information with the lack of infrastructure.

In relation to education, Watters in her article Ed-Tech in the Time of Trump gives examples of how universities can use data to carry out surveillance on students and staff. She demonstrates how this happens through the collection of data. Using data, universities, big companies, governments and powerful individuals are able to control what we see, where we go and how we access information. This is evident in the UK with the Government’s Counter-Terrorism Strategy and how universities are tasked with monitoring extremism with the Prevent Duty agenda. Students are being monitored more than ever before.

The ‘ubiquity’ and ‘invisibility’ of the cyborg that Haraway dreams of is simply not possible because the technology and the spaces that we inhabit when online, have been taught to recognise us. Technology has been taught to read us, tasked to find out what we like, see what we look like and with whom we engage. It knows what we buy, sell, watch, read, and search for. It knows where we worship and who we love. It knows us. Most importantly technology has been taught to remember this information, this information then shapes our experiences online.

The control universities, companies and governments have over our information perpetuates the injustices and exclusions that occur in the physical world. If individuals are not aware of the information that is being collected, and of how that information is being used, they could marginalised without knowing it.


Haraway, D (1991). “A cyborg manifesto” from Bell, David; Kennedy, Barbara M (eds), The cyber cultures reader pp.34-65, London Routledge

Watters, A (2017). Ed-Tech in a time of Trump. Retrieved: 6 February 2017 http://hackeducation.com/2017/02/02/ed-tech-and-trump

Comment on Daniel Jackson-Yang’s visual artefact by cpsaros

Daniel, what a wonderfully personal artefact! I love your first image. It’s quite beautiful. The light from the screen and the rapture on your face definitely suggests that there might be some form of enlightenment hidden beyond what you are seeing. The blurriness add too because it supports the idea of the lines between the body and technology being blurred too.

Comment on Helen Murphy’s visual artefact by cpsaros

Helen, what a fantastic idea to turn your artefact into a commercial! I think it was very astute to play on people’s fear of being unwell in order to go for the hard sell. In the UK it is sometimes easy to forget that health care is big business and I suspect if you were to sell a product like this your biggest customers would not be people scared of being ill; the best customers would be the drug companies trying to keep any product affecting their profits off the market.

Amazon did something similar by buying out the company which developed the robotic technology for use in their warehouse and thereby taking the competitive edge in online shipping. https://www.bloomberg.com/news/articles/2016-06-29/how-amazon-triggered-a-robot-arms-race

Thanks for providing this unique perspective.

Tweet: Ed-Tech in a Time of Trump

This article really helped focus my mind on how racism, misogyny and homophobia are embedded within the technologies we use. It states very clearly how data can be used marginalize different groups and in particular with regards to education. Will the data that universities collect will ultimately become a tool to discipline students and academics alike? Is evidence of freedom of thought a risk to our future education or professions?

Comment on Anne Power’s MSCEDC Visual Artefact A. Powers by cpsaros

Great video Anne! It’s incredibly unsettling. The disorientation and repetition you manage to convey so well is often evident when navigating new digital spaces. Sneaking skating in there, making it relevant to your own teaching, was interesting, perhaps that disorientation is exactly how I would feel on a pair of skates.

I really love how you manage to incorporate bodily functions like a heart beating and breathing connecting the body to the digital.

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