Week 6 Summary: Self-Reflection is Clearer in Still Waters

I have spent this week being more involved in my MOOC.  I have also spent time reading through the blogs and twitters of others as we discussed the ideas of community.  The more I have read and written, the more I am convinced that community has definite connections, and parallel contexts with, space and presence.  Classmates have offered a variety of statements about the MOOCs they are participating in, from surface involvement to deep embedding of themselves into the course structure and activities.  While it is true that the deeper one goes into an activity there will seem to be the building up of a foundation of a community; the more investment is injected which results in more enjoyment or fulfillment being taken away from it.  I certainly found this true in my own experience.

Although many of the postings in my MOOC from others are somewhat dated, there are a few lingerers still posting and using the MOOC as a springboard into the Cascadia community.  The commonality of the MOOC participants is not determined by geography, although that helps in terms of having a point of reference. The common core of this MOOC’s strength is the forging of common interests and the willingness to share those with others of the same mind.  There seems to be no shame or pride in what is posted, only the expression of real feelings and sentiments about the people and culture of the Cascadia region.  I do not recall a single post or offering that was created in anger or derision.  Perhaps this is an anomaly, but it was certainly refreshing.  All in all, I enjoyed my experience in The Innovative Poetry of Cascadia, and hope it helped me to realize that self-expression outside my personal “box of experience or expertise” is not something to be embarrassed about.

A New Definition of Community?

I just read an interesting quote in the book, “The Posthuman,” by Rosi Braidotti (2013).  On page 58, Donna Haraway is quoted as saying,”…the machines are so alive, whereas the humans are so inert!” (Haraway 1985). Based upon our discussions to date in this course, I wonder yet again about the purpose and intent of AI, and how that evolutionary emergence will replace basic human endeavors like simple work, complex calculations, etc., etc.  Visions of “The Jetsons” come to mind where the entire household is run by robots; or “The Forbidden Planet” where a machine eventually learns to bring into reality the base desires and fears of organic beings.  What came to mind first was Klaatu’s remarks (“When The Earth Stood Still”) to the inhabitants of Earth as to why he and his fellow “aliens” created robots to begin with:  so they (humanoids) might pursue more profitable pursuits.  In doing so, they left the basic operations of law enforcement and police services to robots.  Klaatu also left open what exactly he meant by “more profitable” pursuits.  (An interesting side note here is that later in the film, Klaatu makes mention of a supreme being that has the ultimate say in matters of life and death, thereby limiting the influence of humanist dogma in deciding the fate of the universe.  Of course, this may have been more of a bone thrown to the censors of the day rather than a covert political/spiritual statement by the makers of the film.)

Nevertheless moving along . . .throughout film and written media, robots/cyborgs have been viewed as human or humanoid creations that serve the humanoid purpose or have eventually run amok and tried to destroy their own creators.  I suppose my query here is by injecting AI into our society, or community, are we trying to enhance our community, transform it, or create a new community with what we view as a new, and revitalized purpose?  Further, does the answer to any of those queries reaffirm we ares till struggling with what “community” is supposed to be?  Or, what we think it ought to be?

If community includes in its description the subjective and emotional interaction of beings that live within that community, how would an artificial form fit into it?  We have discussed the lack of emotions inherent within robots and cyborgs, unless those emotions are pre-programmed into it.  In that case then, is the robot or cyborg really feeling those  emotions or simply reacting to what the data chip has scripted for it?  And if, or when, robots/cyborgs develop true sentience, like Sonny in “I, Robot,” then how will those new lifeforms be integrated into the existing human community?

I am not convinced the deeper, moral questions have been adequately addressed simply because it is clear to me that technology has far outpaced humans.  We can create these wonderful machines that look and act and even talk and feel, like humans.  But, what happens when we thy break out the pre-scripted environments they have been placed in and start making independent decisions; especially decisions that may run contrary to human interests and intent?

How then will “community” be defined?  And perhaps more poignant who, or what, will define it?

Braidotti, R. (2013). The posthuman. Polity Press, Cambridge.

Haraway, Donna. 1985. “A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s”, Socialist Review 15:2 (1985)

Week 5 Summary: Which Came First, Community or Technology? (I bet you look at the chicken and the egg differently)

This week I have looked at readings and many, many postings, and many, many websites that have to do with community.  It has also been interesting reading what other classmates have written about the concept of community and how they are finding different variations of that theme not only in their own readings, but in the MOOCs they have chosen to enroll in.

Applying an interesting definition of web technology, Knox (2015) described it as “. . . the invisible means to connect people.”  I found this definition could be taken in a number of ways, especially when considering the format of my MOOC.  Artists and poets use technology to be sure, but their sense of space and community seems to be founded in the “invisible” forms of nature and the spirit of the fauna and flora of that space.  Kozinets (2010) addresses the idea of how culture is formed by stating, “With our ideas and actions, we choose technologies, we adapt and shape them.”  In each case it seems clear that mainly, technology is merely a tool to describe the communities in which we naturally find membership.  Technology, in a sense therefore, does not alter or create the community; technology simply makes the community more accessible, more relative to others, or easier to describe.  So, is community created in spite of technology or is technology developed in spite of the culture it is applied to?  Interesting questions, I think, reminiscent of the age-old question of which came first, the chicken or the egg?

Knox, J. 2015. Community Cultures. Excerpt from Critical Education and Digital Cultures. In Encyclopedia of Educational Philosophy and Theory. M. A. Peters (ed.). DOI 10.1007/978-981-287-532-7_124-1

Kozinets, R. V. (2010) Chapter 2 ‘Understanding Culture Online’, Netnography: doing ethnographic research online. London: Sage. P. 22

Missing the Trees That Create the Forest

In an interesting article I read just today, I was reminded of the old saying, “You can’t see the forest for the trees.”  But it is in the reverse that I mention I mention it here, “You can’t see the trees for the forest.”  The following quote is from the article I read:

“When we treat data as a “given” (which is, in fact, the etymology of the word), we see it in the abstract, as an urban fixture like traffic or crowds. We need to shift our gaze and look at data in context, at the lifecycle of urban information, distributed within a varied ecology of urban sites and subjects who interact with it in multiple ways. We need to see data’s human, institutional, and technological creators, its curators, its preservers, its owners and brokers, its “users,” its hackers and critics” (Mattern 2017).

To me, in relation to what we have been looking at this block in terms of community, I think people have a tendency to overlook the essentials of the individual in favor of the overall community.  what do we learn from Twitter, Facebook and other social media outlets?  We keep up with daily news.  We are reminded of birthdays for people who are not only our friends (which is important) but the birthdays of friends of my friends, and their friends, and so on ad nauseum.  We are reminded of dates and events that we may never have been associated with other than we “know” someone in our feed who may have been.  This is the community in which we find ourselves today.  A community of data and information that likely has little or no meaning to us personally.  We use “data” to connect via platforms of all kinds.  In this course alone some of the “connections we have made with classmates and instructors have been Twitter, Facebook, WordPress, Google Hangouts, and a myriad of others.  And, we try to tie them all together using IFTTT to one degree of success or another.

I wonder sometimes as just how deep our connection with others really is.  I know I have had some meaningful exchanges with others in the class over one channel or another.  And honestly, for most I have had little or no contact depending on if I happen to comment on their blog posts or not.  I have been too consumed negotiating the forest that I have failed to stop and consider the trees.  Interstingly, the participants in the MOOC in which I am enrolled seem to want to stop and not touch and feel each tree, but every bush as well, smell every flower, watch the birds and listen to the wind whistle as it moves among it all.

The question that presents itself is who is more a part of a community, me or them?  It is a hard question and of course the answer is determoned by what kind of community is sought by each individual or group.  So, I suppose the answer ultimately is academic, or at least rhetorical.  But I digress, I think.  The quotation above, and the article overall, speaks of looking deeper and considering the individual, of seeing how this community is built and who built it and why.  I find myself falling into this trap on many occasions: looking so hard at the forest but not seeing the individual and unique trees that make the forest what it is supposed to be.

Mattern, Shannon.  “A City Is Not A Computer.”  Places, February 2017.

Variations of a Theme . . .

I have been experimenting with a couple of platforms to present my Ethnography: Pinterest and Lino.  I have chosen to do the ethnography in a visual, or virtual, manner, as an alternative to the more traditional written style.  My goal basically is to hit on some of the themes of the MOOC in which I am enrolled, Innovative Poetry of Cascadia, and then use pictures to exhibit those themes.  Captions are to be used to explain or further expound on what each picture is supposed to represent.  I hit this idea off James this morning and he seemed fairly enthusiastic about the idea.  I am not sure however, how much enthusiasm he will retain when he sees my final product(s).  And I say “products” because I am my just put a link in my Lifestream to both of them and just see what happens.

One thing I will say now is that the MOOC has been quite interesting. I have mentioned this before but it bears repeating I think.  The readings I have had to do and the comments submitted by other participants show a real interest in the culture and environment of the Cascadia region.  I find this attitude very satisfying.  Having lived in Oregon for several years, although I am not a native of the area, the thoughts and feelings expressed are very familiar.  People in the Cascadia region develop a very strong attachment to the region and are keen to express that attachment in a variety of ways. I realize other people groups do this as well, for example those from the Southern United States, or from regions in Europe and Asia.  I also saw this to a degree when I lived in East Africa for several months.  Cascadia is no different:  the inhabitants see the land and animals and the entire ecosystem as a way of life.  Everything is connected and there seems to be a communication between fauna and flora that is almost spiritual in nature, delving deep into one’s soul and creating a permanent link between man and other beings, and even non-living things.  I mentioned this in an earlier post that the attitude is almost like The Force in Star Wars:  every creature, every non-living thing, is connected in some way, and in a way that cannot be broken.

Well, as I am waxing somewhat poetic or even romantic, I find I am trying to put myself in the place of someone still roaming the rain forest of Olympic Nation Park in Washington, or scaling the sides of Mt. Hood, or fishing the rivers and waterfalls of Oregon and Washington.  There is very little of a digital nature involved here, which goes against the idea of EDC.  However, the theme for this Block is, in part, the theme of Community.  In the writings and musings of the participants of this MOOC, I find they have created a “community” not built from WordPress or Twitter, but from an internal connection to the tangential spirituality of the Earth, and the creatures and features that inhabit the space around us.  Indeed, the folks in this MOOC create and experience the presence of community in their common fondness of Cascadia.

#mscedc

Convo with James re format of Ethnography

The following is a copy of my conversation with James regarding the format of the Ethnography.  I had an idea that due to the abstract nature of my MOOC, I would try and present it in a way that was more reflective of the feelings and viewpoints of the participants.  (As a note to avoid the appearance of revealing any confidentiality, I have copied our conversation here per James’ encouragement.)

From Me:

James, I may have missed something but in what form does the ethnography take? I have posted a trial visual ethnography more to display what I am doing on my Lifestream rather than meet the assignment requirement; but I am wondering if this is the type of format we can use?

If so, then my plan is to add text to each photo as a descriptor of how the picture relates to what the purpose of the MOOC is designed for. This course is so abstract I am not sure a more formal write-up would really fit.

From James:

This is really great. A request: paste these ideas and questions into a blog post as it will look really good in your lifestream and I think the whole group will benefit from our conversation: if you’re ok with that? But yes, agree entirely about presenting ethnography in ‘alternative’ form: I fully encourage that. Excellent stuff, Philip.

#mscedc

MOOC Update

I have been going though the lessons in the MOOC I chose, “Innovative Poetry of Cascadia”.  It has been very interesting and really has turned out to be what I was hoping for.  I am not necessarily a poetry aficionado, but the personal comments on the boards by many of the participants in class have been revealing. Primarily what I have seen are postings expressing a deep connection to the geographical region.  This connection is more than simple geography or occupying space; some of these people have seemed to immerse themselves into the mystery of Cascadia, developing an identity almost that transcends just physical locale. It is as if they have opened themselves up in a spiritual fashion to what they see and feel is the Spirit of the mountains, the rivers, and the ocean.  It reminds me very much of the stories I heard as a child of my own Native American heritage, and even the feeling of myself and others who engaged in the surfing sub-culture on the Southern California beaches.

Very interesting.

Note:  The photograph on the left is a view of part of the Cascadia Region of Western Canada and Northwestern US.  The photograph on the right is a simple house built of natural materials for birds or small animals.  It represents the desire of the inhabitants of this region to care for all forms of life in as unobtrusive a manner as possible.

#mscedc

Week 4 Summary: MOOC Sign-up…WHAT have I done now?!

I just signed up for the MOOC for my Block 2 Mini-ethnographic study.  I went through several MOOC platform choices, EdX, Coursera, Canvas, etc., and finally settled on a course offered through Cascadia College in Western Canada:  Innovative Cascadia Poetry.  The course description, quoted from the MOOC site, is thus:

“This interdisciplinary course delves into the geography and poetry of the Cascadia bioregion, exploring the area’s physical landscape, its cultural roots, and the innovative poetry produced there.”

I chose this MOOC for a couple of reasons:  it offers some kind of discussion board activities as well as individual assignments and, it is outside of my personal, professional and geographic exposure radius.  I did consider MOOCs that played into my role as a teacher or graduate student, or might have enhanced my professional skills as a teacher, but I chose this basically to add a facet of learning to my academic and personal tool boxes.  There are no robots or AI.  But in terms of what we want to evolve into we must include how we view where we have come from and where we are now.

As far as how does this fit into my readings for the week: I have been thinking about community quite a bit and know that literature is a vital and rich source of how and why and where people are. Even in the last block, when we watched a variety of videos, in each one there was at least one reference to a piece of literature that provided a foundation for the impetus or motivation of the primary characters.  I am hoping this MOOC will allow me to delve more abstractly into the arena of community.

So, off we go . . . yahoo!

Doldrums . . .

This week has been slow going.  I am trying . . .trying . . .to get through the readings.  On top of it all we are re-writing an assessment for my History class and that is taking way too much of my time, although necessary.  And I am trying to make an attempt at meaningful comments on some of my classmates blogs and posts.

But I still feel as if my feet are mired in some kind of sludge that won’t let me move forward in any perceptible way.  Here is hoping this weekend brings a bit more energy and gumption to my efforts.

Loneliness of Space . . . Or Is It?

I have poked a couple of teasers at Linzi this morning about “HAL” and “Alien”.  And something just occurred to me regarding the concepts of space and presence.  i posted a comment on Twitter that one of the teaser lines for the movie “Alien” was “In space, no one can hear you scream.”  And it hit me:  Space is a void that we can occupy.  In the context of that movie line, it is true, in space no one can hear anything.  However, when space is filled with something, e.g. oxygen, the presence of a being can be detected.  Space is no longer simply occupied but is occupied with a discernible presence.  I just thought I would throw that idea into my Lifestream and let it swim around for a while.

Choosing a MOOC

I have been looking through the expansive MOOC list and to be honest, there are many that pique my interest.  I am sure there is a vast array of information and resources I could use in my own classes.  The problem I am having is that I have completed two MOOCs in the past and neither really did much for me.  I realize this is not the focus of the exercise for EDC, but I would still like to be involved in something that is interesting over the long haul.

In any case, I am still searching; but I am chiding myself because I think I am making this harder than it should be.  Come on, Philip, pick one already!

Comments on chills

Loved it. Only the coldest of cold hearts wouldn’t have a soft spot for some stop motion animation.

If life can be broken down in to a series of ones and noughts, can everything we see be considered, recorded and analysed frame-by-frame?

I’m reminded of the android in the Twighlight Zone clip posted by Philip in his artifact.

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Comments from apowers

I liked the way you reduced the times between the jumps to different images and overlays. This combined well with the shots of you clicking through the browser tabs that gradually got more frantic.

Some questions:

Is the piano part played by yourself?
I am noticing that most of the EDC artefacts are mainly presenting digital cultures as unsettling and negative rather than positive. Would you say that you artefact reflects your general attitude towards digital technologies? Or is the tone an aesthetic decision decided by the artefact?

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Comment on Looking to get my visual ‘thing’ done today. Artifact or artefact? Online discussion @ https://t.co/GtQUJt785I and I’m still unsure #mscedc by chills

Hi Matthew

I liked your visual artefact a lot and I think you did achieve “the familiar but unsettling” really well.

The Framed video recalled Memory 2.0 – as if a precursor to it, set in the past, with the photographer remembering or imagining someone and an element of this reverie being interactive as he was led to the perfect viewpoint for his shot.

Framed was much more gentle and less threatening than Memory 2.0, which set it in contrast to the photo montage of your Pinterest board. Some of the double eye images and the Blow your mind photo did provoke a “double take” and I liked the juxtaposition of those with vintage, royalty and animal photos. It was a great assemblage and called to mind ideas about the representation of cultures, as well as themes of time and human modification and perfectability. Another strong impression I got was the multiplicity of viewpoints as if in celebration of the mix and the impossibility of categorising or polarising.

Cathy

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Comments from Schwindenhammer

Absoluteley. And let me point out something else here:
I intentionally spoke about my daughter, because I knew or expected that this would evoke an emotional quality. I could have increased this emotional motivation by posting a pic of my girl (which I did not, because it is not me to decide what pictures of her are online).
I believe reading this article conjures pictures in the reader’s mind, not only making it easier to remember the article but also increasing the level of motivation and engagement with the article, again increasing the possibility to learn and remember.
If done intentionally, I regard this as a legitimate and academic procedure. After all we write to be understood, don’t we?

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Comments from npainter

Absoluteley. And let me point out something else here:
I intentionally spoke about my daughter, because I knew or expected that this would evoke an emotional quality. I could have increased this emotional motivation by posting a pic of my girl (which I did not, because it is not me to decide what pictures of her are online).
I believe reading this article conjures pictures in the reader’s mind, not only making it easier to remember the article but also increasing the level of motivation and engagement with the article, again increasing the possibility to learn and remember.
If done intentionally, I regard this as a legitimate and academic procedure. After all we write to be understood, don’t we?

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Comments from npainter

Hello Dirk, this is a charming and thoughtful post.

I wonder what this says about the way cyberculture has permeated popular culture when not only do themes emerge in TV shows for children, but that you daughter is able to articulate a position in relation to human/machines?!

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Comments from Schwindenhammer

Hello Dirk, this is a charming and thoughtful post.

I wonder what this says about the way cyberculture has permeated popular culture when not only do themes emerge in TV shows for children, but that you daughter is able to articulate a position in relation to human/machines?!

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Comments from mthies

One of the really nice things about being a tutor on the EDC is being introduced to unfamiliar content and genres from popular culture. I’ve never been any sort of gamer (post-48K Spectrum) so it’s interesting to learn more about ‘serious gaming’. When I watched your video earlier in the week I was drawn into the YouTube comments and it was interesting to see the reverence and emotion that posters attached to the game and its music.

On top of this, the ambiguous nature of the protagonist – human or cyborg? – made we wander whether some of the ideas around cybercultures are commonly used or explored within games? If so, bearing in mind the popularity of gaming, I wonder whether in future iterations of EDC we might look towards games as a way of exploring the different conceptualisation of cyberculture, in the same way we have used film and to a lesser extent music this time around?

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Comments from Schwindenhammer

Thanks for this weekly summary – nicely critical and also captures the character of what’s been in your lifestream (and why). Great that you were able to weave ideas from the literature into your summary (which is difficult to achieve in such a small space).

‘The physical and the philosophical make up digital cupture’

I wasn’t sure what you meant by digital ‘cupture’? A quick Google search reveals a wine tumbler? I’m not picking you up on grammar in the blog (I’m in no position to do so!), I’m just interested in your idea here. I presume though from the wider post that you’re arguing that as educators we need to think critically (philosphically) about digital, as well as showing an interest in range of technology (practical).

‘So my work on answering the question above has started by asking it in the first place.’

I really like this. If I interpret this correctly, the content of your lifestream blog has in itself addressed a question you posed earlier in the course (in your first video in particular, but also more generally)? If that’s the case I’m really glad as it suggests that your lifestream content has something to say about your activity over the week whilst helping you to investigate critical ideas around education and technology that interest you. Excellent.

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Comments from npainter

Thanks for this weekly summary – nicely critical and also captures the character of what’s been in your lifestream (and why). Great that you were able to weave ideas from the literature into your summary (which is difficult to achieve in such a small space).

‘The physical and the philosophical make up digital cupture’

I wasn’t sure what you meant by digital ‘cupture’? A quick Google search reveals a wine tumbler? I’m not picking you up on grammar in the blog (I’m in no position to do so!), I’m just interested in your idea here. I presume though from the wider post that you’re arguing that as educators we need to think critically (philosphically) about digital, as well as showing an interest in range of technology (practical).

‘So my work on answering the question above has started by asking it in the first place.’

I really like this. If I interpret this correctly, the content of your lifestream blog has in itself addressed a question you posed earlier in the course (in your first video in particular, but also more generally)? If that’s the case I’m really glad as it suggests that your lifestream content has something to say about your activity over the week whilst helping you to investigate critical ideas around education and technology that interest you. Excellent.

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Comments from mthies

Hello Myles, thanks for your weekly review.

‘However the results have been outstanding and Im overawed by the talent that surrounds me.’

Likewise. I’ve only glanced at the work – Jeremy and I will be commenting on them later in the week – however there’s some fantastic work in there (including your own). Having only glimpsed the work, I’m struck by how many of artefacts include content other than images as a seemingly vital meaning-making component, and in particular sound. I suppose this neatly picks up on the conversation we’ve had before where Sterne (2006) encourages us to look beyond the visual in our conceptualisation of cyberculture.

‘But this leads me to a question: How much of an influence does the culture of the participants on a programme such as ours play a part in creating successful collaborative learning experiences?’

I really like this. Your point acts as a very useful reminder that for all that we might get excited about the possibilities of digital technology around education, we need to see them as a part of wider social and cultural system, as Hand (2008) argues. And going from there to think about Bayne’s (2014) paper problematising framings around technology-enhanced learning, it reminds us the digital is more complex than tools or spaces to deliver teaching and learning outcomes, not least as the technologies are entangled with human interest – the community you mention.

As you suggest, this is a really nice bridge into week 4.

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Comment from Helen

I’m listening to this now whilst making this reply.

Obviously there’s the title, however was there something about the song that particularly resonated with any of the readings or the course themes we’ve been discussing? A short bit of metadata would be good here – almost like liner notes in fact, explaining why this song made it onto the album.

I like it. Another one for me to download, for sure.

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Comment on Visual Artefact – by cpsaros

Daniel, what a wonderfully personal artefact! I love your first image. It’s quite beautiful. The light from the screen and the rapture on your face definitely suggests that there might be some form of enlightenment hidden beyond what you are seeing. The blurriness add too because it supports the idea of the lines between the body and technology being blurred too.

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Comments from cmiller

Colin, what an original fun way to interpret what we’ve been doing on the course!

The thing that probably struck me about your post is the ease in which you move around the Minecraft environment. I never managed to do that well in Minecraft. Are you using it as a metaphor for how we navigate digital spaces in terms of technical ability and where we feel comfortable online? How we interact with others? I noticed some places were more populated than others.

I also like how you managed to enhance your artefact with the soundtrack from the film referencing Sterne. Thanks for your unique perspective.

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Comment from Helen

Hello Helen, a really nice (and nicely critical) weekly summary here.

‘As I’ve already mentioned, this process is an interesting one, with the blog allowing for a spiralling* return to ideas and concepts. I did, however, wonder about *your* experience as readers. Will you be willing to return to ‘old’ ground, will you see the additions? Are you a new reader anyway? Or am I simply throwing ideas out into the ether which will never be read…?’

I think I would see the blog as an ongoing conversation, not only between us but with the wider group at different times. Of course there’s always the danger that I won’t hear your reply with so much happening therefore if there’s something you’d particularly like me to comment on (which I haven’t) please do just let me know. There’s so much attention grabbing content across the lifestream blogs that it’s possible I might miss something so do just shout out to get my attention!

I’m unfamiliar with Bruner’s work therefore please do tell me more if the situation arises in your blog.

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Comment on Digital artefact: Post-human classroom by cpsaros

Daniel, thanks for letting me know how you read it. I think its always interesting to see how we navigate different digital spaces.

I wanted to use all my own photos but unfortunately Thinglink wouldn’t let me upload the ‘links’ unless I bought the premium version which I tried to do but was only allowed to purchase it as a business because of European VAT laws.

The main big photo is mine, as is the picture on the board. I set it up in one of the classrooms were I work. The images in the links are hyperlinks to images available online, unfortunately my only option on the free version.

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Comment from Helen

‘The rich, complex, creative bundle of emotions, ideas and responses that is the learner is channelled through a reductive algorithm and spewed out as a data set.’

I love this! We should return to this comment in block 3 when we move on to talk about algorithmic culture.

And it was good to ‘meet’ you too. For all the different ways we are able to interact in digital spaces, there’s still something special about a group of people speaking face-to-face in real time.

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Comment from Clare

Hi Stuart, I’ve been mulling over this over the week and I think that technology assisted medicine probably still is cyborg-esque in the same way that telephones are, they aren’t physically part of us (yet) but still contribute to our cyborg selves in Miller’s paper. That paper gave me a better understanding of the term cyborg and how to look at everyone now through that lens – we can’t see pacemakers or replacement hips for example sticking with the healthcare link. I now see the cyborgs in our videos as the extreme far end of the cyborg spectrum not the norm.

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Comment from Clare

Hi Daniel. 2000 seems only a blink away for me so it good to be reminded at how far technology has become intertwined in our everyday lives since then. I don’t think that your focus on the text is necessarily related to being less visual – the lyrics were the central element and the visuals only a support so you picked up on that straightaway. Efficiency was one of the key elements I took away from the three weeks of cyberculture, I think we need to be very careful at how and when we employ technology in our lives and education. Just because ‘we can‘ is not enough.

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Comments from Linzi

Ahhhhhhhh someone who has totally avoided text and sound to make a purely visual artefact.

I will be interested to see if this will elicit as many comments as the artefacts that are more…Informative? Direct? Less abstract?

It’s hard to think of the right word.

With this we get to project our own interpretations and meanings. I can see a heartbeat for humans, a chaotic circle for networks, vague letters in the background perhaps suggesting the belief that all objects are laced with information if only we can figure out a way to get it out.

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Comment from Clare

In the text/lyrics what seemed jarring to me was the idea of sending off for a book. If we were in age where you could build music making robots surely they’d just download it onto an ipad or something. I see that the lyrics are from 2000 which explains it. Interesting to see how culture develops in unexpected ways.

One of the themes here seems to be “efficiency”, the idea that we can invent tech to do the dull stuff and we can just go and “live our lives”. This means making value judgements that are made in what work should be deskilled and automated. In this artefact drum loops are implied to be an unimportant part of the music and therefore open to automation, something which as a drummer myself I would argue against.

Another thing I’ve just noticed is that all my comments are based on the text rather than the visual aspect. I always suspected I am not a very “visual” person. Oh well.

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Comment from Helen

Helen, what a fantastic idea to turn your artefact into a commercial! I think it was very astute to play on people’s fear of being unwell in order to go for the hard sell. In the UK it is sometimes easy to forget that health care is big business and I suspect if you were to sell a product like this your biggest customers would not be people scared of being ill; the best customers would be the drug companies trying to keep any product affecting their profits off the market.

Amazon did something similar by buying out the company which developed the robotic technology for use in their warehouse and thereby taking the competitive edge in online shipping. http://ift.tt/2dutZOi

Thanks for providing this unique perspective.

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Comments from smilligan

This is an interesting post (and wider conversation) Stuart.

I wondered whether you felt any of these ideas – those in the New Scientist and your own – resonated with the course readings we’ve been looking at in block one? I thought there were a few points of interesting crossover. In fact if this is a subject of interest, it might be interesting to revisit this theme when we move on to talk about algorithmic culture in block 3.

Meanwhile, as a light-hearted aside I’ve just finished reading The Restaurant at the end of the Universe therefore I might disagree with C.S. Lewis’ position on two heads 😉 :-/

http://ift.tt/1OgdYHl

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Comments from apowers

Wow! This is more like an ‘Art House Movie’ than an end of block artefact. Great production quality, particularly the soundtrack, which I think is the hardest element to get right.

As Chenee observed it is unsettling. I did find myself wondering why the moments of skating weren’t oases of calm amongst the frenetic activity of the day.

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Comments from smilligan

Thanks for this weekly summary, Stuart.

‘Looking back on my blogging activity over the last three weeks it’s incredible to consider what I have learned from the readings, tutorial sessions, Togethertube sessions and interacting with the blogs of others.’

I know that it’s hard to say very much in 250 words, but I would be interested to know what the main ideas are that you’ve pulled out from this block? Even better, you could perhaps link the main ideas to content from the preceding week’s lifestream, if that worked.

‘I had been reluctant to consider the possibility of technology penetrating the mind. But as we slowly turn into human/machine hybrids then perhaps we may start to behave more machine like – networked and efficient.’

At the danger of sounding mischievous, it does assume of course that machines are necessarily efficient! I wonder whether we have a tendency to conflate machines with efficiency and to place humans in opposition as distracted and flawed? And if so, to what extent does this kind of framing come from the depictions we find in popular culture (and particularly science fiction, as we saw in the film festival)?

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Comments from smilligan

Thanks for your thoughts here, Stuart. I’m intrigued by this idea that we might be able to use songs as a way of working through some really quite challenging ideas in the literature around cyberculture.
Something that might work really well in the future in your blog is to juxtapose the song lyrics against the words taken from the journal article or book chapter, and them to come in with your own thoughts on how they sit together, or why you selected them.

Depending on how the cybercultures playlist is received we might attempt one for community cultures – I’ll keep you posted in case you find it a useful way or thinking about some of concepts we’re touching on during the course.

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Comments from cmiller

Hello Colin, looking back over your lifestream this week it seems you’ve been prolific in gathering and interacting with content.

I know you Tweeted about this, however what is it that you don’t like about Twitter? Although having said you don’t like it, do you see how it could be useful in your work around education (and that’s not a leading question)?

You’ve rightly acknowledged that your lifestream blog is becoming more diverse in terms of content, particularly with the introduction of music. Once you’ve had a chance to tinker with IFTT (and I acknowledge your frustration with it) and the pinterest images appear, the blog is going to really look the ‘scrapbook’ approach we talked about during last week’s Google Hangout.

You mention that after some initial difficulty you managed to make some connections between songs and some of the course themes. Out of interest, did you find that a useful way of exploring any of the ideas we’ve been discussing around cybercultures (for instance in the way we sought to do through the film festival)? Did you get a chance to read the Sterne reading from the cybercultures block: as someone with an interest in music/sound I think you’d like it (and I do find his writing more accessible than some).

With all this diverse content coming into the lifestream it would be really helpful to add little bits of metadata to add a running commentary and briefly explain the presence of a particular film clip or article: but you’ve acknowledged that yourself in the summary.

You mention that you haven’t managed to really apply the course themes to education just yet. Not to worry as there’s still time. And of course, some of the course blocks might be more suited to your own practice than others. Perhaps what we’re about to cover in community cultures will enable you to make more immediate connections with your own work? I would certainly be interested to learn more about what you do at Heriot-Watt, if you think there’s a way of bringing that into your lifestream blog. At the same time, you’ve mentioned your interest in virtual reality: could the mini ethnography exercise that we’re embarking on give you a way of bringing the course more directly alongside your educational work and interests? Could you select a field site relating to your work or educational/technological interests? At the same time, you could also think about shaping the final coursework assignment around your practice or interests, although there’s plenty of time yet to think about that.

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Comments from smilligan

Nicely done sir. I loved the audio, it has a Hitchcock esque feel to it. Listening to the soundtrack I had the feeling of the soundbites emanating from an old TV somewhere off camera and this gave the piece an almost vintage quality. I liked it a lot!

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Comments from smilligan

Great theme, powerful message and very well executed. Each element is carefully outlined. This reminds me somewhat of a trip through a gallery, or in one of the “multimedia” type installations. I’d love to see more this through a VR head mounted display, or indeed, in reality as an exhibit somewhere.

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Comments from smilligan

Loving this Stuart. The very quiet music throughout give an eery, slightly scary background while the images and sounds build a great picture.

Really well thought out, that dithering was worthwhile.

Gotta love Adobe spark 🙂

Eli

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Comment on Digital artefact: Post-human classroom by cmiller

“the liar living in the formal network of the lie”.

Excellent I love this line!

We are all complicit in that which we seek to critique, but there are those who would rather deny a sense of self, than to admit that there is wrong in what they do.

I enjoyed exploring your “thinglink”. I wonder if it was designed to be read from front to back, as our eye is drawn through the perspective, or top to bottom, as might a machine…

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Comment on Pinned to #MSCDE on Pinterest – Week 1 artefact by hmurphy

Thanks for this, Eli! This was a super clever way of conceptualising the affective progress we’ve made, while also being a comment on how hard it is to break away from an ethnocentric perspective.

I also liked your use of the word ‘promise’; there’s something in the promise vs the reality which is so interesting. Thanks!

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Comments from chills

Interesting to see you elaborating on the concept of time in relation to cybercultures that you brought up in the tutorial.

Do try to stick to the 250 word limit for these weekly summaries, it’s tough, but a good discipline! I also know that you were a little less active with the lifestream this week, however good job with linking to specific content and weaving these into your writing.

Lots of good and useful reflection here, and a really drawing together of ‘time’ as an underlying theme with which to conclude the cybercultures block. There was also some fantastic writing, I thought this was a particularly engaging passage:

Yet we seem not to be sufficiently prepared to “navigate” the “devastated absence” (Bayne, 2015) left by the departed humanist – it is a desert space with no gods peopled by human chimeras and curious cryogenic recoverings, where we might fall prey to creeds of greed and insularity.

This made me think about how much of education seems to be about (humanistic) values, and some kind of ethics must replace the reworking of humanism.

And the last section on ‘your’ time is fantastic!

I was also thinking about time here in relation to the technology instrumentalism and essentialism discussed by Bayne (2015) – in the sense that I was wonder what the ‘source’ of this elasticity was for you. Does time derive from ‘speedy’ technology (an essentialism), or from our desire to use it quickly or slowly (instrumentalism)? Maybe what you describe here is a useful recognition of the non-dualistic in-between, where those ‘times’ end up influencing each other.

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Comment from Helen

This is a really super and succinct summary Helen! It sounds like you’ve drawn together some really useful conclusions for block 1.

Good to hear that you are considering socio-material perspectives as a valuable ways of navigating the cybercultures themes. I certainly think that this kind of theoretical sensitivity can account for much more of the nuance in our relationships with technology, rather than relying on determinist positions, which feel much more like commitments that critical positions. I am reminded of one of your posts, however, that questioned ANTs normalising (perhaps colonial?) tendencies. There are definitely questions about who defines the important relations, however, that doesn’t negate its ability to surface issues of power and inequality. I’ll be interested to see if these perspectives carried forward for you into the ‘community’ theme.

Nevertheless, inequality, privilege, and cultural influence in the context of cybercultures are potentially productive (educational) themes to consider for your final assignment, should you wish to return to some of these ideas.

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Comments from Linzi

Super reflection here Linzi!

Do try to stay close to the recommended 250 words, however. It is difficult when there is a lot to reflection upon, but also important to work within limits.

Having said that, you surfaced lots of interesting themes here that relate directly to the cybercultures block. I particularly liked your comments about information exchange and bodily, face-to-face presence. There is something really interesting to explore here I think, perhaps related directly to the kind of education that you work in – it seems to me that dance education works with the body, with physicality, with our bodily presence in space, in ways that are overlooked by many of the ways technologies are discussed in relation to ‘learning’. In other words, it seems to me that dance isn’t all about ‘information’, yet that is the way a lot of technological enhancement in education is discussed.

I thought the tweet you sent today, and the great conversation you started, was also a potentially really useful critical angle for you: about kinaesthetic learning, and ‘touch’. So much of ‘cybercultures’ seems to be about ‘virtual’ worlds, avatars, and disembodied information. But that is not the only way we can think about education and technology, right? Could be some really productive themes here to return to for your final assignment, perhaps?

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Comment on Week 3 Synthesis – A New Approach by jknox

Excellent weekly summary here Daniel; suggesting overall themes that tie your explorations together, and specifying exactly what you’ve done with your week! Nice work.

I’ve been watching the musical influence in your blog unfurl with great interest, and super to see here a fresh take on ‘serious play’. You are taking such a creative and rich approach to the blog (and the very idea of ‘blogging’), and it is fantastic to see. The song lyrics and notes were really great responses to the cyborg themes – Cyber Maracatu is particularly superb, as is the line: ‘we spit and curse, transmit and disperse.’

I also really liked the musical interpretations of speech you shared. Trump’s jazzy ‘China’ had me in stitches. Actually, I’m going to watch it again right now…

I think you are absolutely right here to raise questions about the seriousness of scholarship, particularly given the form your lifestream blog is taking. The question of what ones ‘learns’ from creating a ‘lifestream’ in this way should be at the forefront of your thinking. I think your individual lifestream items have tended to focus more on the theoretical ideas in the course, rather than explicit connections to education – that is perhaps a way to develop your blog in block 2. Having said that, thinking about the form of your blog is perhaps one way to take this. Given your theme of ‘play’, might we understand your lifestream as a kind of improvisation itself, using feeds to respond to the theories you are reading about? I suppose within that, you are also learning ‘about’ the various ideas. That might be one way to continue thinking about ‘learning’ here: whether it is something representative of the course themes, or whether it is something that emerges through your practice and improvisation with the lifestream.

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Comment on Looking at YouTube short summaries of Haraway’s ‘Cyborg Manifesto’. Anyone found any particularly good ones? #mscedc by jlamb

Hello Matthew, perhaps when it comes to preparing the digital essay you might want to think about experimenting with something in video form? Give it some thought and, assuming we agree it’s an appropriate format for the subject of the essay, we could talk about places to host it (Vimeo for instance attracts many fewer comments) and the use of images (for instance looking at Creative Commons).

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Comment on Lifestream summary, week three by jlamb

I’m enjoying reading your reflections here, Matthew.

‘On the readings front, I regret I’ve not found time for a biblical reflection on Donna Haraway. She’s threaded through various postings, and a lot of my thoughts. I’ve got stuff to say, and I’m trying to think how to say it. I’d like to try something multimodal in that regard.’

Perhaps this is something you could come back to within the digital essay towards the end of the course? The assignment will give you more time to work with some of the ideas we encounter in the course, in a way that it’s hard to do within the lifestream blog. We can talk about this (or any other essay ideas you have) later in the course.

‘Walking into daily chapel the next day, hearing the piano playing, it wasn’t the same sound for me as on previous days. A lovely moment when the Lifestream spilled over into the non-digital everyday. I value those moments.’

I’m glad that our encouragement to think about music and sound has contributed to this lovely (and eloquently described) moment. As Sterne suggested in his historiography of cyberculture (2006), we have a tendency to heavily emphasise the visual when perhaps sound and other form provide a lens for thinking about the digital. Of course, ‘lens’ itself has a strong visual orientation so perhaps I’m also guilty of perpetuating this notion!

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Comment on Just looking at the blog by @Eli_App_D https://t.co/ZRIoWvQdPd – great to see other sides to life for a fellow student. Thanks, Eli! #mscedc by jlamb

This works really nicely as an accompaniment to your own weekly summary of the lifestream, Matthew.

That it’s so difficult to keep up with all the varied content coming into the lifestreams perhaps says something not only about digital culture, but also about the mixture of opportunities and challenges of education within digital contexts more generally?

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Comment from Clare

Great week 3 summary, and reflection on the end of block 1!

Do try to stay close to the recommended 250 word though. It is tough when there is a lot to reflection upon, but also important to work within limits.

That said, you’ve offered a really excellent critical summary here – the distinction between emotion and computer code is contextualised well, and the Norman quote (1993) provides a promising way of approaching this in non-dualist or -oppositional ways. I do think we need to move beyond utopian / dystopian binaries, particularly in the education technology field, otherwise we miss all sorts of nuance in the ways our relationships with technology unfold.

Fantastic quote from Roszak too – I must look this up. Embodiment is certainly one way we can critiquing simplistic notions of A.I. as pure ‘information’.

Ending this block with more questions is no bad thing! Perhaps with some time away from these ideas – as we discuss ‘community’ and ‘algorithmic’ cultures – you’ll find a way to connect with education.

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Comments from apowers

Great video Anne! It’s incredibly unsettling. The disorientation and repetition you manage to convey so well is often evident when navigating new digital spaces. Sneaking skating in there, making it relevant to your own teaching, was interesting, perhaps that disorientation is exactly how I would feel on a pair of skates.

I really love how you manage to incorporate bodily functions like a heart beating and breathing connecting the body to the digital.

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Comment on Weekly round-up: Week 3 by jknox

Interesting to hear that you’ve tried to limit tweets going into your lifestream. I was waiting for someone to suggest this! Might be a good way of keeping your lifestream focused on particular ‘choice’ items, a way of ‘curating’ it. That doesn’t mean, of course, that you don’t still continue to use Twitter, just that you control your lifestream a little more.

Good to also see you reflecting on education, and seeing this feature in your lifestream. Critical thinking is definitely the way to go here – think back to IDEL week 3 and 4 on criticality. This also reminds me that Jen shared a useful video on critical thinking in Twitter today:

https://twitter.com/jar/status/827458892879818752

The idea that lecture capture is a good thing could certainly be questioned, from institutional, teaching, and student perspectives, each with different nuanced. One of the key ways we can use scifi critically on this course is to recognise that it can be very flawed, however it can also be creative. The dystopic visions of surveillance cultures in scifi are definitely creative ways of perceiving our current use of technology, and a good way of developing a critical angle. Perhaps this is something to bear in mind for the final assignment? It might be productive to link things to your current work with lecture capture?

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Comments from apowers

Anne, I watched this off the Tweet link you posted. I really like the sense of acceleration, overlay, and the challenge to process and keep up with it – and the associated feeling that if I was not simply flesh-and-blood I might manage it better. Skating on thin ice, and waking up smelling the coffee? Many thanks!

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Comment from Helen

Hi Helen

I like your thoughtful commercial very much and appreciate the unnerving and threatening undertones. It made me think immediately of canaries down mines and how the “employment” of them could literally be a matter of life and death. Betty appeared to be a luxury product for the affluent, but if turned mainstream – I’m so conditioned to want to say “she” – could signal just as much danger to humankind driven by similar commercial and political enslavery. How times haven’t changed after all!

Thanks for the shoutout to my poll which I had neglected after setting up, so it is me who thanks you for your commentary!

Cathy

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Comments from smilligan

Stuart, I really like the interaction of visuals and sound; the reworking of the familiar (e.g. Six Million Dollar Man intro) with new visuals; and the overlay of symbols on pictures. A rich mix, befitting the theme. Thank you!

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Comment from Helen

What a wonderful contrast of past and present Helen. A really thought provoking artefact and very visually stimulating.

It made me consider how educational institutions view students as data because so much of their funding is dependent on results. This aspect of education dehumanizes students which in a way (if I stretch Haraway’s metaphor even further) transforms them into cyborgs where their past, gender, race, or class are inconsequential.

What was also interesting, and since I don’t know what period the older images are from, is how little has changed in the way we perceive the physical space of classrooms, even in the digital age. I only comment on it as I used the same kind of space in my artefact.

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Comments from mthies

I especially like the comments in the final minute about the speed with which ideas are processed, and the risk of not centring / settling on, and pursuing, one idea down its rabbit hole to see where it leads. I wonder if tech creates, or enhances(!) this possibility.

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Comments from Linzi

[…] course readings, Noss (2013), Bayne (2014) and Miller (2011) I began to view technology as a tool that can either enhance humans or increase the ways in which educators deliver their teaching […]

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Comment from Helen

This is a great commentary and a stimulating visual artefact. Thank you, too, for the CC-O comment. I suspect your suspicions are right about consumerism, and I hope that comes up more as the course unfolds.

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Comment from Helen

Thanks for a succinct comment on the article (mine on my Lifestream was much more wordy…). And I like your connection with assemblages – that’s helpful in trying to understand that concept.

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Comment on Comments on Matthew’s blog by msleeman

Eli, I’m passing through your blog at present, and don’t honestly know if I’ll pass this way again (the multiple blogs are enormous and growing to try and travel them all, and back again, and I’ve not got any alerts on them, to save drowning my feed). Just a quick comment: I’ve felt Pinterest has been incredibly ‘flat’ as an experience. Just pinning. I don’t know if I’m missing something – do you think I am?

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Comment on Take Home Message From Block 1 by chills

Hi Daniel, thanks for this really excellent and helpful post which clarifies the readings of Block 1 for me and corroborates some of my own feelings about the clarity of Bayne and the creative imagery of Haraway. Your ambition to be able to combine the two (which I think you do) recalls our human drive for perfection. It’s just a matter of how far we will go to achieve it.

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Comments from Linzi

[…] my students regarding technology in the dance studio. The conversation acknowledged our previous discussion on their connection with smartphones and the technology that we use already to observe and evaluate […]

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Comments from smilligan

Like you, I spent much of this week dithering: your dithering has paid off: this is great! I really liked the last message about technology having the power to change evolution and the responsibility that brings. I echo Cathy’s comments on the high production quality here too!

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Comments from atsui

That is a very interesting survey for the students. One thing that came to my mind was if I was an employer and a student told me he/she used technology in class and so forth, I would certainly delve into that. I would not necessarily be interested in what was being used, although that could be pertinent, but I would ask the student to explain in detail how the technology was being used. A follow-up question might be to ask the student to explain how their use of technology would actually benefit my company or organization, or how it may be improved. #mscedc

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Comments on atsui

That is a very interesting survey for the students. One thing that came to my mind was if I was an employer and a student told me he/she used technology in class and so forth, I would certainly delve into that. I would not necessarily be interested in what was being used, although that could be pertinent, but I would ask the student to explain in detail how the technology was being used. A follow-up question might be to ask the student to explain how their use of technology would actually benefit my company or organization, or how it may be improved. #mscedc

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Comments from cmiller

I’ll definitely get back to tying it back to the readings, and education too. I think I’d like to revisit all my posts to add more meta data/context to them before we get too far in to Block 2.

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Comment from Helen

Hi James,

Thanks for mentioning Matthew’s blog post to me: it was fascinating to hear his ‘prediction’ about the impact which Bayne’s paper might have on responses to BETT!

Your observation about results is a pertinent one. As well as the notion of technology being touted as a means of ‘improving outcomes’ (what does that even mean?!), there has been a rise in the use of technology to report on outcomes. Huge stands devoted to ‘data dashboards’ were present at the show. The rich, complex, creative bundle of emotions, ideas and responses that is the learner is channelled through a reductive algorithm and spewed out as a data set.

Thanks for your ideas as to how I might move forward with this space. I’ve spent a chunk of today revisiting my previous posts and adding more ‘metadata’ around them. This returning, reflecting and augmenting is an interesting experience and marks a shift away from the linearity of the blog experience in IDEL: we’re weaving complex fabrics using threads from a range of media, sources and thoughts.

Good to ‘meet’ you in the Hangout btw! And hope you’re having a great weekend.

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Comment from Helen

[…] based on the readings, our Hangout tutorial and the second Film Festival discussions. As I’ve already mentioned, this process is an interesting one, with the blog allowing for a spiralling* return to ideas and […]

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Comment from Helen

[…] adding more metadata and reflections based on the readings, our Hangout tutorial and the second Film Festival discussions. As I’ve already mentioned, this process is an interesting one, with the blog allowing for a […]

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Comments from chills

Hi Myles, thanks for your comment. I think you have hit the nail on the head when you ask how it might have been interpreted without the words! I think it was very poorly executed and it does need the commentary although it shouldn’t. I would like to blame the technology but it was entirely down to this particular human/machine assemblage!
Cathy

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Comments from chills

Wow Cathy, what a wonderfully creative piece of stop action EDC mastery! Wish I had thought of something as good as this. Well done. I like your explanations too – I wonder how it would be interpreted without what you have written? It would be interesting to hear what other EDC’ers would make of it. For instance the comment about the item Ex is holding being a brush and not a gun(which I originally thought it was before reading your description) makes for a very different interpretation.Great work.

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Comments from smilligan

Hi Stuart,
I really admire the professional quality of your visual artefact. I like its clarity and the way that the message builds from technology as enabling the body to be medically restored to a suggestion of facilitating something more sinister. I still seem to talk about technology as “enabling” or “facilitating” when really what I’ve learned is that it is the human/technology assemblage that has the agency.
Cathy

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Comments from smilligan

This is a fascinating post and comment, thanks Stuart and Helen. George Orwell’s dystopian “thought police” immediately spring to mind. Regarding your points, Helen,

– I like to think that disclosing our feelings is the “natural” position as I like to think being truthful is the norm, but as we are social beings and therefore the “natural” is the social, we must have learned that withholding the truth and failing to disclose is sometimes in our best interest.

– It isn’t often that I have thoughts which aren’t common to most people, but they have been mediated through my brain and body and experience which does in that sense make them unique.

Cathy

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Comments from mthies

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really found you by accident, while I was searching on Digg for something else,
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Comments from mthies

Aw, this was a very nice post. Taking a few minutes and actual effort
to produce a great article but what can I say I procrastinate a whole lot and don’t
manage to get anything done.

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Comments from smilligan

This is a really interesting evaluation of a very very complex topic. I agree that losing the ability to conceal our thoughts if we choose would lead to a very different situation than we’re in now. Though I wonder if we’re already on that road? There are definite issues surrounding privacy and surveillance and our ability to conceal what we think. However, I have two follow up questions:

– do you think that our ability to disclose (roughly) what we choose is actually connected to our mind and soul (which makes us unique)? is it innate, or a social construct? (I’m in two minds – no pun intended!)

– do you think that ‘thought’ in its natural form would make much sense to an onlooker? or is it our interpretation of that thought that makes it intelligible? I strongly suspect that if a robot were able to read my mind right now it would very quickly go into shutdown… 🙂

-Helen

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Comment from Helen

Hey, Helen, I’ve never had a ‘ping back’ before. Thank you! I thought you were spam for a moment. All part of my learning curve, and glad you liked the ‘Gumdrop’ thoughts. Go well on your Lifestream! Matthew

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Comments from chills

[…] involving techology in some way. This isn’t surprising since Bill Thompson remarked in this podcast that he was wary of institutions that need to develop their ‘digital’ strategy – […]

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Week 3 Summary

http://tse4.mm.bing.net/th?id=OIP.mhJ0k35VCCJW0NSLI7krgQEsDF&pid=Api

Last week we discussed AI: Artifical Intelligence.  This week we were asked to consider music a part of our journey through the theme of cybercultures.  As I have been wondering about the term “artificial intelligence” I have concluded, perhaps later than others, that AI simply refers to intelligence that is created outside the holder of the intellect itself.  That intelligence is then inserted somehow into the recipient, activated and implemented.  I know this is not profound but I have to go through my process here.  The real question I have been struggling with is how does the robot or cyborg, as an “intelligent” entity, grow?

I looked at clips from a variety of films and other posts submitted by classmates.  Most notably and what I spoke in our Google Hangout session, was the societal parameters robots/cyborgs will be expected to live by and, will artifical “beings” be able not only to mimic human emotions but understand the subtleties those emotions must take in given circumstances.  Music can be one of the areas that may be the most difficult to measure in terms of intelligent application.  Robots, like Data in Star Trek: The Nest Generation, can mimic thousands of musicians.  The question is however, can he “feel” the music he is playing?  Composers will tell us that music is felt and it is emotional.  Hence we come back to the question of whether robots/cyborgs can really assimilate or be able to produce, in and of themselves, emotions.

#mscedc

Comment on Watching https://t.co/wXl8P9SUOO the key = ‘correctly’ (2:01 mins in). But what does it mean/look like? Cf. https://t.co/BgN7Z5Nlka #mscedc by msleeman

Helen, well done on surviving a week on a stand at any trade show – a truly exhausting prospect. I’d love to probe the instrumentalist impulse some more, given that it is so widespread. I resist putting it down simply to limited reflection; I presume there are some political / cultural wirings running through it, but I can’t feel my way towards them. Any thoughts / literature on this – from Helen, of others?

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Comment on Watching https://t.co/wXl8P9SUOO the key = ‘correctly’ (2:01 mins in). But what does it mean/look like? Cf. https://t.co/BgN7Z5Nlka #mscedc by hwalker

I was on a stand demonstrating O365 at BETT…it was a long week.

The conversations I had with teachers and with other exhibitors about technology, teaching and learning reflected exactly the instrumentalist views which you and James highlight. I read the Bayne paper on the way to the show and this heightened my awareness of the over-riding rhetoric present during the show, that technology is ‘in service’ to learning; it is a ‘tool’ which will ‘improve outcomes’ and ‘engage learners’.

I didn’t get to listen to any of the talks (I missed Ken Robinson(!)), so I’m not sure if a more nuanced position was offered by the speakers in the BETT arena. I fear it probably wasn’t. Also, based on my visits to numerous schools over the years, I fear that the assumptions and beliefs expressed about technology are echoed, at scale, in the wider education community.

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Comment from Helen

Hi James,

Thanks for mentioning Matthew’s blog post to me: it was fascinating to hear his ‘prediction’ about the impact which Bayne’s paper might have on responses to BETT!

Your observation about results is a pertinent one. As well as the notion of technology being touted as a means of ‘improving outcomes’ (what does that even mean?!), there has been a rise in the use of technology to report on outcomes. Huge stands devoted to ‘data dashboards’ were present at the show. The rich, complex, creative bundle of emotions, ideas and responses that is the learner is channelled through a reductive algorithm and spewed out as a data set.

Thanks for your ideas as to how I might move forward with this space. I’ve spent a chunk of today revisiting my previous posts and adding more ‘metadata’ around them. This returning, reflecting and augmenting is an interesting experience and marks a shift away from the linearity of the blog experience in IDEL: we’re weaving complex fabrics using threads from a range of media, sources and thoughts.

Good to ‘meet’ you in the Hangout btw! And hope you’re having a great weekend.

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Comments from smilligan

Thanks for this interesting post Stuart – I really like the way it pinpoints the tension between whether technology is working for or against us. I love the line “while our bodies sit in chairs, waiting for our minds to come back”. Where are our minds when we let technology take over?

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Comment on Tweet! Vlogging versus virtual classroom by hwalker

Eli, this post reminded me of my mortifying experience many years ago when I applied to become a TEFL teacher. Part of the interview process required us to teach our fellow interviewees something. The other applicants were brilliant: we were taught the basics of using a chanter, how to ask for directions in Chinese and the Two Step.

I had arrived with only five tea-towels, ready to teach everyone how to transform them into chickens…

We focused a lot on the inherent value of the process of learning (anything!) in Digital Game-Based Learning. Gamers have to learn how to play games and that requires a multitude of skills and attitudes which have real value. How to recognise the value of that learning and how to harness those skills and attitudes within the structures and strictures of an often rigid formal educational framework is the challenge. These are two useful chapters about the transfer of learning from video games to ‘RL’ : http://ift.tt/2kDgqAm

http://ift.tt/2l81OWK

(If you’re interested, I’ll try and get an instructional ‘make a chicken’ video sorted over the weekend!)

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Comments from mthies

Good day I am so happy I found your web site, I really found you by accident, while I was
searching on Google for something else, Regardless I am here now and would just like to say many thanks for a fantastic post and a all
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also added your RSS feeds, so when I have time I will be back to read
much more, Please do keep up the great job.

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Comments from chills

[…] in my lifetime, being already someone who can remember early computers and first debates about hypertext. I am out of time, not knowing any of the digital cultural references, and, as a human in the old […]

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Comments from chills

[…] How audible and valued is the voice of the student? After the annual student surveys many universities run advertising campaigns to prove they are listening to their students, “You said, we listened …” This is the voice of capitalism and commerce as institutions have to compete for student numbers. Audrey Watters regards the voice of the student as muted and controlled. […]

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Comments from chills

[…] with our machines, and trying to make sense of the not-quite-in-control to see if it attests to, or incarnates, our learning. We are tech voyeurs being surveilled, surrendering our data and privacy. We are […]

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Comments from chills

[…] mean that this testing is important, to me at least. Education is a means of giving indivduals voice. The predominance of monosyllables makes the sentence sound a bit robotic and the choice of and and […]

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Comments from chills

[…] a bit robotic and the choice of and and not but after testing marks a pause, but less of one, like life on the internet. Of course, I was just really testing ifttt to see if it would work […]

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Comments from chills

[…] Time stretches when I see that Haraway (2007) enumerates the breached boundaries between, for example, science and religion, the human and the technological, the human and animal, and consider that these ontologies have been called into question for some good amount of it. Yet we seem not to be sufficiently prepared to “navigate” the “devastated absence” (Bayne, 2015) left by the departed humanist – it is a desert space with no gods peopled by human chimeras and curious cryogenic recoverings, where we might fall prey to creeds of greed and insularity. […]

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Comment on Posthuman Indie Landfill Music – The Sound of Cybernetic Logic by Cybernetic Maracatu | Daniel’s EDC blog

[…] This music is enabled by digital technology. I would not have found out how to play my approximation of maracatu without youtube, the practice could not have been documented and shared without cheap MP3 recorders and sound cloud. This kind of usage of digital technology stands in contrast to the more restrictive possibilities of the “band in a box” guitar pedal I posted about previously here. […]

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Comment from Helen

Helen,

I love your reference to Wayne and his words resonates with my ongoing exploration of the body and technology. Although, I have struggled to answer your question as I seem to have taken an anthropocentric stance.

Linzi x

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Comments from Linzi

[…] will they have a lack of empathy and physical connection with other? Over the years there has been discussion over the increased interaction with technology and if the exposure will change the way children […]

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Can robots learn the cognitive meanings underlying learned behavior?

What I mean by this is can robots or cyborgs discern the underlying meaning behind certain learned behaviors?  My case in point is this clip I offer from the film I, Robot.  Here, we see Will Smith’s character explaining the meaning of an intentional wink to the robot, “Sonny”.  Later, “Sonny” uses an intentional wink to save Smith and the scientist who helped create “Sonny” from harm.

Now, a wink is a physical gesture humans do thousands of times every day, both voluntarily and involuntarily.  “Sonny” learned one of the intentional meanings of a wink, when connected with certain other behaviors, is a subtle form of signaling to another person or, in this case, a robot to a human.  This had not been programmed into “Sonny” per se, but he (it) learned this wink’s meaning through observation and cognitive reasoning.  Hence, my initial question.  But perhaps another question will be if robots or cyborgs can successfully develop not only deductive reasoning skills, but deeper cognitive skills as well, does that put them closer to meaningful sentience and therefore allow them to be considered new life forms?  And when is it acceptable to refer to “Sonny” as “he” instead of “it”?  (This last question presented itself in a Star Trek:  The Nest Generation episode, but that will have to wait for later.)

 

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From “Frankenstein” to “Robocop” and Beyond

 

Our discussion of The Cyborg Manifesto this morning got me thinking of Frankenstein’s Monster.  I had made the comment in the group that Frankenstein created his monster within the social and cultural paradigms of the day.  The Monster sought self-realization and self-fulfillment by operating, albeit in a crazy and psychopathic manner, within those parameters. Actually, if you read the book, and then watch Frankenstein and The Bride of Frankenstein, The Monster does not act so far out of bounds of reality that many in our world do today.  He, like many others, has no sense of self-control, no patience, is totally amoral and apathetic to the feelings of others. His sole focus is eliminating his own loneliness and meeting his own desires.  This central theme in his life is the result of a previous life of crime and brutality, which has irreparably defined him.  I think what may be unnerving to us is our realization of how close we may be to feeling each of those emotions within ourselves at one point or another.  But fortunately, unlike The Monster, we don’t manifest them all at once.

Cyborgs on the other hand, as described in The Cyborg Manifesto, have no social or cultural paradigms to operate within.  They are seeking, through whatever convention is most efficient, their own sense of realization or fulfillment.  This may come via prior programming or subsequent programming based upon learning experiences.  The development of “Data”, in the Star Trek: The Next Generation series, and “Sonny” from I, Robot, may be a good examples of this.

For us, looking at cyborgs from our own human perspectives, see these created “beings” as cold, heartless, and at times cruel.  But is that really accurate?  To label cyborgs like that may assume we believe them capable of being the opposite, an assumption which may not in fact be true.  And if we mix cyborg technology with our own natural system, we get something akin to Robocop, which spends a good amount of time fighting the memories of the past with new urges and desires more attuned to cybernetic tendencies.  The end result, at least according to Hollywood is a reconciling of man of machine into a functional unit capable of feelings yet able to put them aside, at least temporarily, in favor of the sterile performance of programmed tasks.

In any case, I was left this morning with a good supply of philosophy to think about over the weekend.

#mscedc

Comments from Linzi

Hi Dan,

I think social sanctions should be put in place to prevent negative outcomes!?

The students talked about trends and that they have a fear of missing out on the latest news, gadget, music and fashion. Unfortunately, it seems that Peer Pressure seems to influence their choice in technology, apps and online activity.

Linzi x

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Comment on #mscedc https://t.co/E4lsa6YLF7 the first 4 lines for me relate to the need for a critical studies approach to technology. — Daniel Jackson-Yang (@dabjacksonyang) February 1, 2017 {LinkToTweet} by jknox

Nice idea here to re-interpret song lyrics to bring them in line with our digital cultures critique!

You might have seen the elernenmuzik project that came out of a previous EDC: http://ift.tt/2k5mp0j

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Comment on Instagram: Race, gender, sexuality and class by jknox

Nice connection here between Haraway’s (rather classic) cyborg manifesto and present day politics.

I wonder though, what can you say about the role of technology here. Haraway clearly has something to say about the ‘cyborg’, but how does that kind of relationship with technology relate to contemporary political exchanges? How is technology involved in the expression, or indeed the control over, race, sexuality or class?

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Comment on Fear versus promise by jknox

Interesting post here Eli, and a nice connection between scifi and ‘the day to day’ of education technology.

I think this is one of the key things we are trying to explore in this course: whether ideas from scifi films or literature can ‘bleed down’ and influence our ideas about technology. It seems here that the surveillance of 1984 becomes the way that the ‘data capture’ of video lectures is understood. In that sense, the ideas from 1984 might provide a useful frame for taking a critical stance on lecture capture.

I suppose one could imagine that the next step after video capture is the student rating of videos, and perhaps the next step after that is the using of ratings to measure teaching performance?

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Comments from mthies

The march towards the replacement of cheap menial labour gathers pace. Millions of unskilled works would probably watch this with both wonder and a growing sense of trepidation. However, seen another way, witnessing these robots in action should be a signal to anybody that life long learning and development is the only way to stave off eventual replacement by a machine. As educators we should also not be too complacent as the capability by AI’s to teach perhaps only basic skills may be upon us sooner than we think.

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Comment on Lifestream, Tweets by Renee Furner

Thanks for your comment, Jeremy. You are quite right, the link to cybercultures is tenuous at best! Having recently readSiân Bayne’s (2015) paper, I was more focused on the ‘what is wrong with technology’ criticism of TEL terminology (i.e. narratives which separate technology from social practice). Here the connection is, as you have highlighted, more directly linked to our block on algorithmic cultures. I guess, though, in my mind there is also a loose connection (not made in my post!) between these new ‘smart’ toys and those of J.F. Sebastian in Blade Runner. I find that world to be quite a lonely one, where human-human friendships are replaced by human-machine ones.

Also, there’s the idea of enhancement, in that if we extend the discussion beyond toys with voice recognition that collect data and ‘speak back’ to include the full range of digital technologies marketed at children, we encounter dialogues which position the said toys as necessary for children’s development of digital literacies and future life opportunities, and which will enhance their cognitive growth. As Bayne (2015, p. 11) highlights, such narratives of cognitive enhancement create ‘a discursive link with transhumanism’.

On this last point, a friend who is parent to an eleven-year-old and a seven-year-old in Hong Kong recently raised her concerns about the pressures placed on parents (I would say largely by corporate marketing but also from within education and between parents) to future-proof their children through giving them access to digital tools, and programmes which teach them to code, for example. My friend argued that it was more important to focus on developing distinctly human qualities, such as empathy and imagination, but that her focus on this was at odds with the educational and cultural perspectives surrounding her. While I don’t disagree with the need for development of empathy and imagination, I also don’t see (digital) technology-rich environments as necessarily limiting these. There still seems to be a this or that / technological or human / scientific or creative tension at play, which is reflective of the human / cyborg opposition within much of cyberpunk. To me, there seems to be room for more non-binary thinking within discussions of who we (or our children) might be as humans in the future/within an age so enmeshed in digital technologies.

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Old Meets New

I suppose this is an odd picture to include in my blog this week, but when I stopped to take in the beauty of it, it struck me as symbolic of our topic. The seahorse is an ancient and beautifully engineered natural creature. It is inquisitive, mobile, it grows, and it has a sense of survival. It also possesses an internal “clock” that regulates every activity it must engage in to survive. The watch represents the technology we use to govern almost every aspect of our lives. From eating to procreating to daily activities, we rely on technology to keep us on a proper bearing.

This week we are discussing the creation of new “life” in the form of robots, androids and other types of technology. Into these “lifeforms” we will put programming that allows inquisition and learning. Robots and androids will be mobile and have a sense of of survival (antivirus, etc.). The only human activity a robot cannot duplicate at this time is procreation, although there are some models that seem to be able to engage in simulated sexual activity.

Also, see in the watch face part of the reflection of the seahorse, but not entirely.  Is this symbolic of what happens when we create AI that can duplicate us?  Robots and other types of androids can resemble humans, but the image of ourselves we see in them is not quite complete.  Philosophers can go nuts with this.

A question that comes to mind here, for me, is when do the natural processes that have allowed man to survive for thousands of years end, and new technologies begin? Or, in what way does technology have more governance of our lives than our innate abilities?

#mscedc

Using Holograms in the Classroom

Using holograms, or HumaGrams, in the classroom is becoming one of the latest techniques to get information to students using technology that is engaging and enjoyable.  The attached article describes how a Russian company has created holographic programs that allow students to interact with curriculum.  Specifically, one program brings into view the molecular action of molecules in such a way students may manipulate them and learn how they work. The video from YouTube looks at several late technology methods of classroom instruction, especially holograms.

 

http://www.cio.com/article/3150963/education/making-holograms-in-the-classroom-a-reality.html

 

Comment on Lifestream, Tweets by jknox

Great article to bring in here, I really like Ben Williamson’s work. I was wondering how you were linking this to the ‘cybercultres’ themes? I can certainly see how this will link to our algorithmic cultures block later in the course – worth keeping it in mind for then.

Thinking about your post on ethics and AI (from Ghost in the Shell), there might be something in thinking about how this article points to other (and more critical perhaps!) ethical perspectives. Rather than thinking about the ‘human rights’ of the machine (the classic ‘cyberculture’ kind of position), we might think about the ethics of human/machine relations. The ones described here – the accounting of participation, the normalisation of linear progress, the persistent comparison of human behaviour to data sets – seem to be relations with significant ethical dimensions.

Where technology influences culture (and clearly vice versa), should we be talking more about ‘ethical relations’ than assigning ‘rights’?

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Comment on Ethics in the age of androids and cyborgs by jknox

Excellent to reflect on Ghost in the Shell here Renée (and in your other post), it’s a classic! The sequel is good too, but the original film is pretty hard to beat. I might go and see the Hollywood remake (supposedly this year), but it might spoil it!

Memory seems to be a key theme in this kind of SciFi doesn’t – Bladerunner as you say is another classic example here. I can’t help thinking it is a bit of an easy slippage to equate what we (humans) experience as memory, and the kind of data storage we find in computers. I tweeted a panel talk from John Searle and Luciano Floridi earlier this week (https://t.co/VRUXpQi47V) which offers a useful critique of AI. Searle’s (rather classic) ‘Chinese room’ argument is that computers can only deal with syntax (the arrangement of symbols), whereas ‘us’ humans necessarily also deal with semantics (meanings behind and connected to symbols).

In that sense, machines are immensely powerful, but quite stupid. I wonder then, is there a more pressing need for ‘ethics’? Not for some imagined intelligent machine, but for the increasing use of rather stupid machines to make decisions on our behalf? Might be a good way into critiquing TEL there…

Also, I couldn’t get tube chop to work, but I know the scene well. Hadn’t thought about it in particular before, but it is compelling isn’t it? Is it perhaps that the hacked garbage collector had lost his ‘authenticity’ as a human, because his memories had been replaced. In that sense he was seen as rather pathetic because he was no longer human, going by the general premise that memories make us human.

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Comments from mthies

While there may be some benefits to our online security that come from this type of technology, overall, it is yet another example of enhanced analytics tracking, recording and profiling even more portions of our lives. To my mind, the question of the ethical repercussions of such action will be going on for some time and is not the real issue. The major problem I have is the laissez faire attitude of consumers and future users of digital services who wont mind a jot that this goes on. In fact many will actively encourage it and rejoice in its ability. Im probably at risk of being cast as a Luddite but the risk of this data being used for manipulation and subtle, unconscious coercion is not beyond doubt and mostly I dont trust human greed and the need for power to stay away from abusing it.

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Comments from atsui

Bang on.

I would be interested in how technology was defined in the survey or in the minds of the students when they answered. It’s such a broad term that it makes impossible to actually figure out what is meant. Is a student using a laptop in a lecture using technology? A calculator? Looking at a projector? Where does the line get drawn?

I also came up with some other ways to critique the survey. First of all it is only drawing upon American College students for its sample. Perhaps students in other nations feel different?

Secondly, students did not identify technology usage as the attribute they thought was most likely to help them find a job.
“When asked to identify skills that make them attractive job seekers, students are more likely to cite their interpersonal skills (78 percent) than any other attribute, including grades/GPA (67 percent), a degree in a marketable field (67 percent) and internship experience (60 percent).”
So I don’t think this backs up the argument that students are demanding more tech use in the class room.

Thirdly, it is always worth questioning whether the purpose of a degree is to make one ready for a career. When there’s so much debt attached to studying and most people’s way out of debt is through labour then it is hard to make this argument but that doesn’t mean it is a given that degrees are for finding jobs.

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